TRENDING:

Dance: Cape Ballet Africa’s spectacular Swan Lake at Ar...

Review: Mamma Mia South Africa 2026, sublime, joyous, m...

Review: Stacey’s Bay, fun, funny, quirky, sexy, erotic ...

Performance: Working Title presents Live Art at Masambe...

Lifestyle: Where entertaining is at, review of Solstice...

Stage: Acclaimed MOFFIE returns to SA stage at 2026 Toy...

Interview: In conversation about Stacey’s Bay by ...

Review: Yasmina Reza’s ART, brilliant production,...

Music: Loren Erasmus celebrates milestone birthday and ...

Review: Superfan, the gees, thrills, anticipation and d...

Stage: PULSE by the WTS, stunning, dance theatre par ex...

Travel: From bustling bazaars to Cappadocia vistas, her...

Stage: Donate to Magnet Theatre SOS

Lifestyle: Beyond the Plate, Jetsetting with Janet Laun...

Stage: Morapeleng Molekoa’s achingly moving Scott, with...

Review: An Unexpected Guest by Lindy Wilson, exceptiona...

Review: Impressive work at Masque One Act Play Festival...

Dance: Cape Ballet Africa launches Spring Season with E...

Review: Prima Facie in SA, astounding theatre, with the...

Review: Tender and poignant, Alyssa Dionne’s I Can̵...

Interview: Brasse, Tot Laat Toe by Zubayr Charles, Abdu...

Interview: Brasse, Tot Laat Toe by Zubayr Charles, Anzi...

Interview: Brasse, Tot Laat Toe by Zubayr Charles, Carl...

Review: Brasse, Tot Laat Toe, an urgent and visceral in...

Stage: Stacey’s Bay, debut of new indie comedy drama, b...

Interview: Zubayr Charles’ Brasse, Tot Laat Toe f...

Stage: South African premiere of hit Broadway comedy Fi...

Interview: Teater op Toer, vital collaboration, meaning...

Stage: Brasse, Tot Laat Toe comes to The Baxter, August...

Review: Transcendent Simphiwe Dana, Symphonic Experienc...

Stage: Teater op Toer bringing top tier theatre to venu...

Stage: I Can’t Speak for Freddy, two hander by Al...

Review: II, the play, egregiously existential

Review: Dalin Oliver’s Stuck in Dubai, hysterically fun...

Review: The Murder of Roger Ackroyd, Mark Shanahan’s ad...

Review: Bianca Flanders’ Karamonk, magical, enchanting,...

Review: Barrels of fun with Steven Stead’s Puss in Boot...

Review: Peter Pan A Musical Fantasy, wistful, enigmatic...

Interview: Creating Peter Pan, A Musical Fantasy, based...

Classical music: Significant offering of music at the K...

Lifestyle: Serenity Beauty Studio, luxury, self care an...

Review: Something Rotten! Brilliant musical, exceptiona...

Stage: How Now Brown Cow presents SA premiere of Olivie...

Review: Bowled over by dazzling G&S Pirates of Penz...

Interview: Something Rotten! WTS celebrating the art fo...

Review: Awe inspiring concert by young and talented DCY...

Community: Do More Foundation and Kids Collab making ma...

Review: Sublime, divine, enthralling, A Little Night Mu...

Stage: New voices take centre stage at The Masque’...

Review: Constellations SA 2026, please don’t miss...

Review: Minnesota Boychoir and CT Children’s Choi...

Community: Join Outside The Bowl Africa’s 10 Million Me...

Lifestyle: Nature Connect marks 25 years of building pa...

Stage: Canal Walk takes flight with Peter Pan for 2026 ...

Ballet review: Orpheus in the Underworld, stunning, CTC...

Stage: Mabel the mermaid brings magical twist to The Pi...

Stage: WTS presents SA premiere of Tony Award nominated...

Music: DCYOP SA tour, July 2026, celebrating power of m...

Stage: Kurt Schoonraad, Funny Side Up On the Road, June...

Lifestyle: Launch of Jetsetting with Janet Immersive Cu...

Interview: The Curious Case of Katherine Sinclair, play...

Interview: A fun Pirates of Penzance for the Cape Town ...

Interview: Holding space for inner workings of the char...

Choir concerts: Minnesota Boychoir first tour, South Af...

Interview: Anzio September in conversation, Please, don...

Interview: Zubayr Charles, storytelling should be used ...

Review: A triumph, A Gentleman’s Guide to Love and Murd...

Interview: Jay Pather on directing Constellations by Ni...

Stage: Artscape presents Please, don’t call me moffie, ...

Stage: New era for theatre awards in Cape Town

Choir: Crystal Children’s Choir first South Afric...

Review: Andrew Buckland’s A Fools Guide to Living...

Stage: The Curious Case of Katherine Sinclair, new juke...

Stage: A bold new production of The Pirates of Penzance...

Review: Rise 76 The Story of June 16th, beautifully sta...

Review: The Killing of a Union Leader, creepy, twisted,...

Stage: Chicken, And. Thrilling new satire debuts in Cap...

Interview: A Gentleman’s Guide to Love and Murder, Bare...

Choir concerts: Morgan State University Choir, SA tour,...

Music: St Petersburg String Quartet Embarks on first SA...

Interview: Magician Sinalo Mtwana aka Khalo Magic, I ca...

Stage: Paternoster’s first MayGay Weekend, 2026

Review: Songs for a New World, glorious songs, beautifu...

Review: Transcendent dance theatre Mamela Nyamza’a Hatc...

Musical theatre: Annie Jr, Cape Town, 2026, staged by t...

Review: Your Perfect Life 2026, deepened and become mor...

Stage: Hit musical comedy, A Gentleman’s Guide to Love ...

Interview: Staging Songs for a New World, BBATA, Cape T...

Arts: Afrofuture In Motion, leaves lasting impact acros...

Review: Rocky Horror Show, South Africa 2026, astoundin...

Review: Aaron Posner’s Stupid F Bird, effing fabu...

Review: Emma Amber’s You Should Go In, engrossing, hard...

Magic: Over 50 young magicians take the stage, Makin’ M...

Review: Talia Kodesh Actress, masterclass, beautifully ...

Review: Meeting Murphy, mesmerising psychological thril...

Stage: Songs for a New World, presented by The Byron Bu...

Stage: How Now Brown Cow Winter season 2026, two new pr...

In conversation: Dr Hildegardt Raubenheimer aka Dr Hill...

Interview: In conversation, Reagan Clay, South African ...

Stage: Milnerton Playhouse presents Vaslav, starring Go...

Review: Whimsical and fun Children’s Concert at Kirsten...

Stage: Western Cape tour for funny, poignant award winn...

Review: The Royal Countess Zingara, sublime experience ...

Interview: Gavin Werner in conversation, Meeting Murphy...

Review: Hello, this is Johnny Cash, Sin and Salvation i...

Comedy news: AfriSnaaks brings unapologetically Afrikaa...

Stage: Winners announced, Baxter Zabalaza Theatre Festi...

Interview: In conversation with Janet Pillai, South Afr...

Review: Amaxelegu, funny, entertaining, sexy, perceptiv...

Impressions: Being jolted awake at the Baxter Zabalaza ...

Review: David Nixon’s Dracula, alluring, erotic fantasy...

Stage: The Killing of a Union Leader, Louis Viljoen’s n...

Stage: You Should Go In, forgiveness and the complicate...

Book review: Haram, by Zubayr Charles, intriguing, wist...

Stage: Western Cape premiere of Naledi award winning mu...

Review: Key Change, beautiful show by the incomparable ...

Stage: Qondiswa James’ edgy new play about bedroom dyna...

Stage: Exciting season of two plays by Gavin Werner, Ca...

Stage: Die Koelkamers Theatre 5th year Anniversary Cele...

Performance: My Body My Space Festival 2026 celebrates ...

Stage: Four new plays for little ones at Magnet Family ...

Review: An Iliad, riveting with the superlative Alan Co...

Review: Tankiso Mamabolo, Don’t Believe A Word I Say, e...

Review: Cape Ballet Africa’s extraordinary production o...

Stage: Godfrey Johnson, with a Little Help From My Frie...

Stage: Baxter Zabalaza Theatre Festival 2026 celebrates...

Interview: Rugby, golf, cooking, The Complete Works of ...

Review: The Lady Aoi by Yukio Mishima, dark, twisted ps...

Stage: College of Magic Children’s Magic Festival, retu...

Insight: Listen at the 2026 Investec Cape Town Art Fair

Review: Gregory Maqoma’s Genesis, The Beginning and the...

Review: And the Girls in their Sunday Dresses, intrigui...

Review: ‘S Wonderful, Cape Town Opera’s Ger...

Interview: Pieces of Me, Bo Petersen in conversation

Insight: From Hanover Street, emotional, moving, poigna...

Review: Sensational Ndlovu Youth Choir in Cape Town, at...

Review: Electrifying concert by Charl du Plessis Trio a...

Stage: Music, Memory and Community, Golden Oldies Conce...

Review: Thrilling and utterly mesmerising Twelfth Night...

Stage: Pieces of Me, award winning solo theatre returns...

Stage: A riotous romp through all 37 of Shakespeare’s p...

Books: Cape Town launch of Haram, debut novel by playwr...

Review: Alan Committie, AV-A-LAUGH-TA, brilliant

Interview: Twelfth Night at Maynardville 2026, a comedy...

Review: Sublimely beautiful, immersive Giselle at Mayna...

Review: The rousing songs of Freshlyground at Kirstenbo...

Review: The Opera Singer, poignant and moving portrait ...

Stage: From Hanover Street, a Tribute to Memory, Music ...

Magic: College of Magic Free Open Days accompany launch...

Stage: Milnerton Players present Ayn Rand’s Night of Ja...

Review: Shades of Blue, sublime opening Maynardville 20...

Interview: Designing Cape Ballet Africa’s Nutcrac...

Stage: In Full Swing and all that jazz at Maynardville’...

Stage: STAND Foundation fundraiser, Breath and Hammer A...

Review: Touché, innovative and powerful fusion of impro...

Stage: Kirstenbosch Summer Sunset Concerts 2025/2026

Review: Rouge, at the Kalk Bay Theatre, slick, acrobati...

Review: Princess and the Pea, fairytale with a biting t...

Review: Mad, bizarre, Gerald Charles’ brilliant Alice i...

Dance: Cape Ballet Africa’s The Nutcracker at Artscape ...

Community: The KKA Klopse Voorsmakie kicks off 2026 min...

Review: Stunning, alluring, Cats, the musical, South Af...

Dance call: Emerging choreographers invited to apply fo...

Review: Let’s dance together 123 As One, A Japanese SA ...

Stage: Sarajevo, the play, theatre remembers what histo...

Review: Live Art Weekend Soft Rebellion, beautiful, sti...

Review: Let the sunshine in, Nik Rabinowitz, Geriatric ...

Review: Colleen The Musical, stunning, magic box of sur...

Review: Off the Record, captivating launch of Leah Mari...

Review: Hearty and gorgeous tasting menu of Broadway mu...

Interview: Princess and The Pea, blending fairytale whi...

Insight: Miracles are just changes, the urgent call of ...

Stage: Universe on Stage presents Hidden Giants in Cape...

Interview: jacki job in conversation about 1 2 3 As One...

Review: Magnet Theatre’s Animal Farm 2025, urgent, dark...

Interview: Carin Bester in Conversation, Soft Rebellion...

Community: Calling all vendors, join the Baruch Communi...

Tribute: Celebrating Bernhard Gueller for 30 years of m...

Theatre interview: Hidden Current, gathering stories a ...

Stage: Innovative collaboration, Butoh performances cre...

Review: Maina Gielgud’s, Giselle, danced by CBA, beauti...

Performance: Soft Rebellion at Live Art Weekend, Masamb...

Review: Far Gone, harrowing, immersive and enchanting

Stage: Maynardville Open-Air Theatre, Cape Town celebra...

Stage: Freehold Theatre Lab’s Hidden Current, Cap...

Interview: Bringing the story home, John Rwothomack’s F...

Review: The luscious Vulgarians, juicy, fun and enterta...

Stage: Spice up the festive season with Masque’s delici...

Food: Cape Town chef, Jill Van As, brings Kitchen Table...

Review: Stirred not Shaken, entertaining and wry, tale,...

Stage: The Call, a bold new queer African musical, cele...

Interview: Off the Record with Leah Mari

Review: The One Who Stays, testimony and remembrance

Interview: Glorious vocals, food, wine, whiskey and Fre...

Review: Glittering escapism, joy and hilarity, Opera UC...

Review: The Royal Countess Zingara, La Dolce Royal, div...

Review: Ms Bhaved, in the Time Out Zone aka the Naughty...

Review: David Kramer’s Orpheus McAdoo exhilarating lega...

Stage: Cast, international guest artist for Cape Ballet...

Stage: Mr and Miss Sovereign Western Cape 2025 celebrat...

Stage: Stuart Taylor’s award winning Odd Man Out, CPT a...

Stage: Ms B haved, hilarious, incisive new comedy from ...

Review: Exhilarating day in Darling at Voorkamerfest 20...

Review: Sublime Coppelia by Cape Town City Ballet

Review: Moffie, monumental theatre, achingly exquisite

Interview: Alan Committie talks about playing the jaile...

Review: Holding space in Circle Song with Ashley Dowds

Review: Wolf Biscuit, wacky and surreal, absurdist susp...

Review: The Tramp, inspired by Charlie Chaplin, Tour de...

Review: Down the Rabbit Hole at the Masque, CT, nuanced...

Stage: Die Fledermaus, Opera UCT, a toast to glamour, l...

Stage: Drag race superstar Latrice Royale returns to SA...

Review: Emergency Workshop, let us play and breathe thr...

Tribute: Daniel Anderson, The Tramp, legacy performance...

Stage: Magicana Junior Magic Championships, Cape Town 2...

Community: National Nutrition Week, investing in young ...

Review: 2025 Dance Intersect, exceptional and beautiful...

Stage: How Now Brown Cow presents My Name Is Lucy Barto...

Community: SA’s largest World Animal Day gathering, Oct...

Review: The Routes of Sound 2025, sublime journey of mu...

Review: Chicago the musical SA 2025, breathtaking razzl...

Lifestyle: Look at Me Now 2025, celebration of growth, ...

Interview: Anderson Carvalho talks about ACDC Dance Int...

Fun: Stan Mars presents Smooth R&B Sip ’n Paint, Ca...

Stage: Wolf Biscuit, written and directed by Pierre Mal...

Book review: Juliet Prowse, Born to Dance, charming and...

Community: The SA Guide Dogs Association launches Wear ...

Community: Thrive By Five Index 2024, SA youngest child...

Stage: The Masque’s Youth Theatre Club presents Down th...

Interview: ‘n Pandok se Liefde, by Lauren Snyders, a ca...

Stage: The Tramp, acclaimed production in Cape Town 202...

Stage: The Long Way Home, original SA jukebox musical

Community: World Koesister Day 2025, from cultural trad...

Stage: Cape Town’s brightest young magicians to compete...

Stage: Celebration of the 15th Baxter Zabalaza Theatre ...

Review: Interrogating silence in The Grab After A Doll’...

Review: Outstanding Little Shop of Horrors South Africa...

Dance: Cape Town Welcomes ACDC Dance Intersect 2025

Performance: The Routes of Sound 2025, intimate musical...

Lifestyle: Meditation master, Yongey Mingyur Rinpoche S...

Review: Truth and reality viscerally conjured up in To ...

Review: Feedback is deliciously cheesy, a biting satiri...

Review: So much fun, Melomania takes Quiz Night to anot...

Stage: Melomania, live music comedy quiz at Kalk Bay Th...

Review: Joyful, hilarious and utterly captivating, The ...

Review: The Glass Menagerie South Africa, masterful rei...

Festival news: Three day celebration at Open Book Festi...

Interview: Unique dialogue between language, memory and...

Festival news: Klein Karoo Klassique 2025, a choral jou...

Review: this bra’s a pyscho, rousing new play, brave, c...

Interview: Jill van As, the kitchen where hearts connec...

Review: The Mikado in Concert, gorgeous production, pre...

Stage: Mike van Graan’s To Life, With Love, featuring J...

Review: Becoming Benno with Ben Vos, funny and wistful ...

Interview: Zubayr Charles in conversation, bashing down...

Lifestyle: Launch of Gauteng’s first internationa...

Interview: James Stoffberg, finding the balance between...

Interview: SA creative Georgia Neves is loving working ...

Interview: Staging Little Shop of Horrors, Cape Town 20...

Review: Petticoat Princess intense and shattering dance...

Review: Unruly, engaging with our land and rights of al...

Stage: Award winning The Glass Menagerie and Speelgoed ...

Review: I Can Buy Myself Flowers, upbeat, wise and char...

Review: Impressive performance by Bizo Maxegwana in SA ...

Stage: Who Done Did It, comedic murder mystery set with...

Review: Everybody Talking About Jamie Cape Town 2025, f...

Stage: Hit Broadway musical Little Shop of Horrors come...

Stage: The Mikado In Concert set to delight Cape Town a...

Review: Clever, sharp delicious, Love Me Feed Me, the m...

Review: Gripping theatre, Jan Glazewski’s Blood and Sil...

Interview: Staging Aladdin at Canal Walk Theatre 2025

Review: Fun and entertaining Jack and Beanstalk panto

Stage: Thrilling debut of this bra’s a psycho, written ...

Community news: Do More Foundation launches Mandela Day...

Review: An Apprenticeship with Sorrow, lyrical, beautif...

Live music: Star studded music showcase in The Mother C...

Review: Gorgeous Aladdin on in Cape Town, Canal Walk Th...

Interview: Staging Everybody’s Talking About Jamie in S...

Stage: Unruly returns by popular demand for full length...

Review: Inspired and thrilling reimagining of Arthur Sc...

Review: Take Me to Town by Thabiso T Rammala is excepti...

Stage: Aladdin 2025 shines as Canal Walk celebrates 23 ...

Review: Cape Town Funny Festival 2025, delish mix of co...

Review: Majika, theatrically, magically alluring and th...

Stage: Waterfront Theatre School presents SA premiere o...

Review: Rescue Remedy is tender and wistful, poignant w...

Music: VScript drops How You Move, single featuring Luk...

Meditation: First full SA tour for renowned meditation ...

Review: Beggared in SA, heart warming and moving play

Stage: Autumn 2025 highlights at The Drama Factory

Review: Joseph and The Technicolor Dreamcoat South Afri...

Stage: Premiere of two new solo shows at Baxter Masambe...

Review: Find your inner child at Museum of Illusions Ca...

Stage: Assist Spark in the Dark with production costs f...

Review: A triumph, Shakespeare’s Julius Caesar, brillia...

Review: Bitter Winter, beautiful and poignant play, dis...

Review: Pure gees at University of Michigan Symphony Or...

Performance: Vulvasphere Woman Beyond the Surface, mult...

Review: Kamogelo Mhlantla’s Solitude, uplifting, ...

Review: Minimalist epic staging of a wow Aida by Cape T...

Community: Historic 10 billion Rand investment in ECD r...

Stage: Kamogelo Mhlantla’s Solitude, explores the duali...

TV: TopGear SA, Star in a Reasonably Priced Car launche...

Community: SA’s Kay Mason Foundation raises R12.5 milli...

Review: Die Kwiksilwers, a gem of a film

Interview: Time and gender are fluid, mutable in Shakes...

Interview: Getting real with Viv Vermaak, a lateral shi...

Stage: Shakespeare’s Julius Caesar in bold new producti...

Community theatre: Join The Masque at Volunteer Open Da...

Interview: Sjaka Septembir infinitely curious, explorin...

Stage: Internationally acclaimed stage adaptation of Mo...

Stage: Dolliwarie, a theatrical fever dream of absurd b...

Dance: Dance Intersect 2025, cross cultural dance colla...

Stage: Courage to be Average, Performative Philosophy t...

Review: Emotional and visceral gravitas in thrilling ge...

Live music: Simphiwe Dana celebrates 20 years in song, ...

Stage: Paul Slabolepszy’s acclaimed play, Bitter Winter...

Review: Die Uitweg embracing the unpredictable bouncing...

Review: Samantha Carlise’s Messy, a gem of a play

Review: Please, don’t call me moffie, brave and importa...

Education: eta College Cape Town shaping SA’s top sport...

Interview: Majika, afro futurist and Black Panther with...

Interview: Samantha Carlisle talks about getting Messy ...

Interview: Yuri Behari-Leak talks about his gender swap...

Review: Harnessing the Piña Colada of relationships in ...

Musical theatre: Exuberant Disney’s Aladdin Jr, staged ...

Review: A Doll’s House Part 2, mesmerising deep d...

Review: Mrs Mitchell Comes to Town is a mother of a pla...

Stage: Debut of Messy, semi autobiographical solo show ...

Review: Glorious weekend at Soli Deo Gloria, Paternoste...

Review: Hallelujah for Messiah with the Philharmonia Ch...

Festival news: Hermanus FynArts 2025, June 6 to 16, cel...

Books: South African arts icon, Kurt Egelhof, launches ...

Interview: Staging Die Uitweg, adapted from Kafka’s Blu...

Stage: The Masque presents Shakespeare’s Hamlet in a fr...

Stage: Die Uitweg, directed by Sjaka Septembir, starrin...

Stage: R and J Love Beyond the Stars, musical presented...

Review: Interesting, funny and very entertaining Darwin...

Comedy: Celebrated SA comedian Kurt Schoonraad at the B...

Magic: MAJIKA, Africa’s largest illusion show, magic, w...

Interview: Please, don’t call me moffie, a gaze on the ...

Review: Candice Bernstein’s Earthside, tender, poignant...