Preview: Before the Second Advent- drama in four acts by Ydalie Turk- premiere season in the Cape- March/April 2023- at two venues
|Before the Second Advent– a drama in four acts by Ydalie Turk
Performances – two venues- debut season of this play – premiering at:
~ The Drama Factory
March 29, 30, 2023
Performance times: Wednesday March 29 and Thursday March 30 at 7.30pm
Booking link Drama Factory: https://www.thedramafactory.co.za/show/HoldingThumbs
~ Theatre Arts
April 3, 4, 5, 2023
Performance times: Monday April 3 at 6.45pm, Wednesday April 5 at 8.30pm and Thursday April 6 at 8.30pm
Booking link Theatre Arts: https://theatrearts.co.za/show/before-the-second-advent
Tickets for both venues: R100-R150
Language: English, with some Afrikaans
Starring: Margot Wood and Ydalie Turk
Direction and design: Nell van der Merwe
Music: Diffie Bosman
Writer: Ydalie Turk
Presented by: Holding Thumbs Productions and The Drama Factory
Producer: Casey Diepeveen
he Second Advent is a new play, written by Ydalie Turk, has its premiere season in the Cape, at two venues- The Drama Factory in The Strand (March 29, 30, 2023) and Theatre Arts in Observatory (April 3, 5, 6, 3, 5, 2023). The Second Advent is a two-hander and stars Turk and veteran theatre maker, Margot Wood. The producer is Casey Diepeveen of Holding Thumbs Productions. This premiere season is being presented in association with The Drama Factory. The four act play (Conquest, War, Famine and Death), “tells the story of familial trauma, illness, and religious fervour.” It is a play which deals with a lot. The awesome team of talented creatives is delving deep in this new piece of theatre. Bravo to the producer, Casey Diepeveen for making it happen. It is is one thing to make a play but another to take it from page to stage. Read on for more:
Debut production – Before the Second Advent is a play in four acts (Conquest, War, Famine and Death). It tells the story of familial trauma, illness, and religious fervour. Set in an insular English/ Afrikaans Christian community, Heila visits her estranged, dying grandmother as she awaits the day of reckoning, which she believes will commence tonight. Over the course of a tension filled evening, the young girl bears witness to her grandmother’s feverish fixation with the arrival of her maker and the narrative unfolds as the two characters navigate their relationship, both seeking justice, redemption, forgiveness and atonement for past sins.
Writer’s statement-Ydalie Turk:
“The initial idea for Before the Second Advent was born from a deeply personal space. Being raised by my grandmother, a fiercely religious woman, left me witness to the tenacity of her faith despite being ravaged by illness. As a result, I wanted to tell a story about love, fear, familial obligation, female generational trauma, and the complicated perceptions we have of the formative figures in our lives, especially within the framework of stringent, and often harsh, belief systems/structures.
The most interesting part of this workshopping experience, especially under the guidance of Nell Van der Merwe, has been watching the piece grow into something far more interesting than I could’ve imagined. For this to happen, I had to let go of the personal and allow the work to evolve beyond ‘reality’ to ultimately land on far more compelling truths. Initially, the process was difficult and I found myself protective of the perception of a history and person I’m profoundly tied to.
However, by digging into what serves the story, what drives the narrative, and what ‘ups the stakes’, the play took on a life of its own and, tonally, it shifted to something more pointed, more consistent, and ultimately more engaging. Consequently, it feels as though the same themes are being addressed in a far more exciting and, most importantly, extensive way that left me, as a writer, with greater insights into the technical aspects of devising a work and an even deeper appreciation for the memory of my grandmother”.
Director’s statement- Nell van der Merwe:
“For me, at the heart of the play is the intimate relationship between a granddaughter and her dying grandmother – a pairing of characters we rarely see portrayed onstage. The set is designed to make the audience feel as though they are peering through yellow stained curtains, curiously observing a tension filled evening, emphasising notions of the private and the public.
The fact that premise the is framed by the day of reckoning is exhilarating to direct because the Biblical references are ripe with metaphors that coincide with a narrative that explores themes of redemption, sins, and attempts at mending past afflictions. This type of family conflict can feel immense, as though the world is coming to an end, and that is my favourite type of story – large-scale drama in the context the ordinary and mundane”.
|Before the Second Advent – creative team – bios
Director – Petronella (Nell) van der Merwe is a theatre maker based in Cape Town. She obtained BA Hons (Drama) (cum laude) at the University of Pretoria in 2018, with specialisation in directing for theatre and digital media. In 2022 she obtained a MA (Drama) (cum laude), at the University of Pretoria specialising in adaptation and magic realism. After which she continued her postgraduate studies completing another MA in theatre making at the University of Cape Town. Some of her earlier work include the play Switch that performed both at the Kopnong Student Arts festival (2018) and at the Dunkelder Theatre in Johannesburg (2019). Since 2017 she has also worked as a freelance artist in various capacities in the industry. She formed part of the writers team for the company Earcandy (in cooperation with SABC 3) for two years, responsible for the translation of three television series, namely the Turkish telenovelas Primera Dama/First lady (2017) and Endless love/Bittersoet (2018) as well as the American animation series Ben 10 (2018). From 2018 to 2022 she also wrote three texts for teenage theatre productions: Oorgang (2018), Om Skaduwees op te vou (2019) and Dinosaurs in Pretoria (2022), two of these productions she also directed. In 2022 she was appointed co-director alongside Kanya Viljoen for the teenage theatre production of Hoërskool Jan van Riebeek titled Wat die water weet. She was also responsible for the set design for the Market Theatre production Aïda: Abridged (2018) directed by Greg Homann as well as the production Moonless (2019) directed by Gopala Davies at the National Arts Festival at Makhanda. More recently she designed the sets (in cooperation with Kanya Viljoen) for Eurydice (2022). She is also a mentor at the Zabalaza Festival hosted by the Baxter theatre. She is currently working towards a PhD in theatre making at the University of Cape Town.
Writer and actor, Ydalie Turk is a South African actress and writer who was named screenwriter to Watch in 2022 by MovieMaker Magazine for The Grand Bolero. She graduated with a BFA in acting, and currently resides in Cape Town where she works in Film, Television, and on stage. Aside from starring in the film Color of Dreams, 2022 was a year dedicated to the theatre. She played Orpheus in Sarah Ruhl’s Eurydice. Thereafter, she starred as Katjia in a production of Zakes Mda’s The Bells of Amersfoort and played the lead in a run of Green Room written by acclaimed novelist Keely Shinners. She has also starred in multiple commercials, for Vaseline, M&G Investments, Castle beer and most notably as the face of a viral campaign for Rain Data, among others.
Actor – Margot Wood is a graduate of UCT drama school. She is an actor, director, producer and teaching artist. She started her professional career in what was the performing arts councils, with such theatre stalwarts as Cobus Rossouw, Sanda Kotze, Siefried Mynhardt, Nerina Fereira, Mees Xteen and others. She has been involved with Educational Drama and Theatre programmes and the training of young actors for many years. After completion of a Master`s degree in Theatre for Children at US, she founded Storywood Theatre, creating theatre for children and, recently, for audiences with complex needs. Her independent company, Anex Theatre, has staged productions at NAF, the Fugard Festival, the Cape Town Festival, Woordfees and at venues around Cape Town. For Anex Theatre, she appeared as Amanda in The Glass Menagerie, Millie in People are Living There, Winnie in Happy Days and various roles in the comedy cabaret El Grande de Coca Cola. She appeared in At the Edge of the Light for Wynne Bredenkamp at NAF, Theatre Arts and the Alexander Bar. In 2022, she performed the role of Miss Helen in Road to Mecca, for Darryl Spijkers as well as Fraulein Schneider in Cabaret. She is a freelance actor for theatre and film and has appeared in a number of roles in local and international film and television productions. She is a trained puppeteer and clown.
❇ Sponsored content. Images by Nell van der Merwe, supplied.