TRENDING:

Interview: Anzio September in conversation, Please, don...

Interview: Zubayr Charles, storytelling should be used ...

Review: A triumph, A Gentleman’s Guide to Love and Murd...

Interview: Jay Pather on directing Constellations by Ni...

Stage: Artscape presents Please, don’t call me moffie, ...

Stage: New era for theatre awards in Cape Town

Choir: Crystal Children’s Choir first South Afric...

Review: Andrew Buckland’s A Fools Guide to Living...

Stage: The Curious Case of Katherine Sinclair, new juke...

Stage: A bold new production of The Pirates of Penzance...

Review: Rise 76 The Story of June 16th, beautifully sta...

Review: The Killing of a Union Leader, creepy, twisted,...

Stage: Chicken, And. Thrilling new satire debuts in Cap...

Interview: A Gentleman’s Guide to Love and Murder, Bare...

Choir concerts: Morgan State University Choir, SA tour,...

Music: St Petersburg String Quartet Embarks on first SA...

Interview: Magician Sinalo Mtwana aka Khalo Magic, I ca...

Stage: Paternoster’s first MayGay Weekend, 2026

Review: Songs for a New World, glorious songs, beautifu...

Review: Transcendent dance theatre Mamela Nyamza’a Hatc...

Musical theatre: Annie Jr, Cape Town, 2026, staged by t...

Review: Your Perfect Life 2026, deepened and become mor...

Stage: Hit musical comedy, A Gentleman’s Guide to Love ...

Interview: Staging Songs for a New World, BBATA, Cape T...

Arts: Afrofuture In Motion, leaves lasting impact acros...

Review: Rocky Horror Show, South Africa 2026, astoundin...

Review: Aaron Posner’s Stupid F Bird, effing fabu...

Review: Emma Amber’s You Should Go In, engrossing, hard...

Magic: Over 50 young magicians take the stage, Makin’ M...

Review: Talia Kodesh Actress, masterclass, beautifully ...

Review: Meeting Murphy, mesmerising psychological thril...

Stage: Songs for a New World, presented by The Byron Bu...

Stage: How Now Brown Cow Winter season 2026, two new pr...

In conversation: Dr Hildegardt Raubenheimer aka Dr Hill...

Interview: In conversation, Reagan Clay, South African ...

Stage: Milnerton Playhouse presents Vaslav, starring Go...

Review: Whimsical and fun Children’s Concert at Kirsten...

Stage: Western Cape tour for funny, poignant award winn...

Review: The Royal Countess Zingara, sublime experience ...

Interview: Gavin Werner in conversation, Meeting Murphy...

Review: Hello, this is Johnny Cash, Sin and Salvation i...

Comedy news: AfriSnaaks brings unapologetically Afrikaa...

Stage: Winners announced, Baxter Zabalaza Theatre Festi...

Interview: In conversation with Janet Pillai, South Afr...

Review: Amaxelegu, funny, entertaining, sexy, perceptiv...

Impressions: Being jolted awake at the Baxter Zabalaza ...

Review: David Nixon’s Dracula, alluring, erotic fantasy...

Stage: The Killing of a Union Leader, Louis Viljoen’s n...

Stage: You Should Go In, forgiveness and the complicate...

Book review: Haram, by Zubayr Charles, intriguing, wist...

Stage: Western Cape premiere of Naledi award winning mu...

Review: Key Change, beautiful show by the incomparable ...

Stage: Qondiswa James’ edgy new play about bedroom dyna...

Stage: Exciting season of two plays by Gavin Werner, Ca...

Stage: Die Koelkamers Theatre 5th year Anniversary Cele...

Performance: My Body My Space Festival 2026 celebrates ...

Stage: Four new plays for little ones at Magnet Family ...

Review: An Iliad, riveting with the superlative Alan Co...

Review: Tankiso Mamabolo, Don’t Believe A Word I Say, e...

Review: Cape Ballet Africa’s extraordinary production o...

Stage: Godfrey Johnson, with a Little Help From My Frie...

Stage: Baxter Zabalaza Theatre Festival 2026 celebrates...

Interview: Rugby, golf, cooking, The Complete Works of ...

Review: The Lady Aoi by Yukio Mishima, dark, twisted ps...

Stage: College of Magic Children’s Magic Festival, retu...

Insight: Listen at the 2026 Investec Cape Town Art Fair

Review: Gregory Maqoma’s Genesis, The Beginning and the...

Review: And the Girls in their Sunday Dresses, intrigui...

Review: ‘S Wonderful, Cape Town Opera’s Ger...

Interview: Pieces of Me, Bo Petersen in conversation

Insight: From Hanover Street, emotional, moving, poigna...

Review: Sensational Ndlovu Youth Choir in Cape Town, at...

Review: Electrifying concert by Charl du Plessis Trio a...

Stage: Music, Memory and Community, Golden Oldies Conce...

Review: Thrilling and utterly mesmerising Twelfth Night...

Stage: Pieces of Me, award winning solo theatre returns...

Stage: A riotous romp through all 37 of Shakespeare’s p...

Books: Cape Town launch of Haram, debut novel by playwr...

Review: Alan Committie, AV-A-LAUGH-TA, brilliant

Interview: Twelfth Night at Maynardville 2026, a comedy...

Review: Sublimely beautiful, immersive Giselle at Mayna...

Review: The rousing songs of Freshlyground at Kirstenbo...

Review: The Opera Singer, poignant and moving portrait ...

Stage: From Hanover Street, a Tribute to Memory, Music ...

Magic: College of Magic Free Open Days accompany launch...

Stage: Milnerton Players present Ayn Rand’s Night of Ja...

Review: Shades of Blue, sublime opening Maynardville 20...

Interview: Designing Cape Ballet Africa’s Nutcrac...

Stage: In Full Swing and all that jazz at Maynardville’...

Stage: STAND Foundation fundraiser, Breath and Hammer A...

Review: Touché, innovative and powerful fusion of impro...

Stage: Kirstenbosch Summer Sunset Concerts 2025/2026

Review: Rouge, at the Kalk Bay Theatre, slick, acrobati...

Review: Princess and the Pea, fairytale with a biting t...

Review: Mad, bizarre, Gerald Charles’ brilliant Alice i...

Dance: Cape Ballet Africa’s The Nutcracker at Artscape ...

Community: The KKA Klopse Voorsmakie kicks off 2026 min...

Review: Stunning, alluring, Cats, the musical, South Af...

Dance call: Emerging choreographers invited to apply fo...

Review: Let’s dance together 123 As One, A Japanese SA ...

Stage: Sarajevo, the play, theatre remembers what histo...

Review: Live Art Weekend Soft Rebellion, beautiful, sti...

Review: Let the sunshine in, Nik Rabinowitz, Geriatric ...

Review: Colleen The Musical, stunning, magic box of sur...

Review: Off the Record, captivating launch of Leah Mari...

Review: Hearty and gorgeous tasting menu of Broadway mu...

Interview: Princess and The Pea, blending fairytale whi...

Insight: Miracles are just changes, the urgent call of ...

Stage: Universe on Stage presents Hidden Giants in Cape...

Interview: jacki job in conversation about 1 2 3 As One...

Review: Magnet Theatre’s Animal Farm 2025, urgent, dark...

Interview: Carin Bester in Conversation, Soft Rebellion...

Community: Calling all vendors, join the Baruch Communi...

Tribute: Celebrating Bernhard Gueller for 30 years of m...

Theatre interview: Hidden Current, gathering stories a ...

Stage: Innovative collaboration, Butoh performances cre...

Review: Maina Gielgud’s, Giselle, danced by CBA, beauti...

Performance: Soft Rebellion at Live Art Weekend, Masamb...

Review: Far Gone, harrowing, immersive and enchanting

Stage: Maynardville Open-Air Theatre, Cape Town celebra...

Stage: Freehold Theatre Lab’s Hidden Current, Cap...

Interview: Bringing the story home, John Rwothomack’s F...

Review: The luscious Vulgarians, juicy, fun and enterta...

Stage: Spice up the festive season with Masque’s delici...

Food: Cape Town chef, Jill Van As, brings Kitchen Table...

Review: Stirred not Shaken, entertaining and wry, tale,...

Stage: The Call, a bold new queer African musical, cele...

Interview: Off the Record with Leah Mari

Review: The One Who Stays, testimony and remembrance