TRENDING:

Music: Renowned saxophonist Linda Sikhakhane launches h...

Interview: Teater op Toer, vital collaboration, meaning...

Trends: Hatching design at Decorex Africa 2023

Stage: Brasse, Tot Laat Toe comes to The Baxter, August...

Review: Transcendent Simphiwe Dana, Symphonic Experienc...

Stage: Teater op Toer bringing top tier theatre to venu...

Stage: I Can’t Speak for Freddy, two hander by Al...

Review: II, the play, egregiously existential

Review: Dalin Oliver’s Stuck in Dubai, hysterically fun...

Review: The Murder of Roger Ackroyd, Mark Shanahan’s ad...

Review: Bianca Flanders’ Karamonk, magical, enchanting,...

Review: Barrels of fun with Steven Stead’s Puss in Boot...

Review: Peter Pan A Musical Fantasy, wistful, enigmatic...

Interview: Creating Peter Pan, A Musical Fantasy, based...

Classical music: Significant offering of music at the K...

Lifestyle: Serenity Beauty Studio, luxury, self care an...

Review: Something Rotten! Brilliant musical, exceptiona...

Stage: How Now Brown Cow presents SA premiere of Olivie...

Review: Bowled over by dazzling G&S Pirates of Penz...

Interview: Something Rotten! WTS celebrating the art fo...

Review: Awe inspiring concert by young and talented DCY...

Community: Do More Foundation and Kids Collab making ma...

Review: Sublime, divine, enthralling, A Little Night Mu...

Stage: New voices take centre stage at The Masque’...

Review: Constellations SA 2026, please don’t miss...

Review: Minnesota Boychoir and CT Children’s Choi...

Community: Join Outside The Bowl Africa’s 10 Million Me...

Lifestyle: Nature Connect marks 25 years of building pa...

Stage: Canal Walk takes flight with Peter Pan for 2026 ...

Ballet review: Orpheus in the Underworld, stunning, CTC...

Stage: Mabel the mermaid brings magical twist to The Pi...

Stage: WTS presents SA premiere of Tony Award nominated...

Music: DCYOP SA tour, July 2026, celebrating power of m...

Stage: Kurt Schoonraad, Funny Side Up On the Road, June...

Lifestyle: Launch of Jetsetting with Janet Immersive Cu...

Interview: The Curious Case of Katherine Sinclair, play...

Interview: A fun Pirates of Penzance for the Cape Town ...

Interview: Holding space for inner workings of the char...

Choir concerts: Minnesota Boychoir first tour, South Af...

Interview: Anzio September in conversation, Please, don...

Interview: Zubayr Charles, storytelling should be used ...

Review: A triumph, A Gentleman’s Guide to Love and Murd...

Interview: Jay Pather on directing Constellations by Ni...

Stage: Artscape presents Please, don’t call me moffie, ...

Stage: New era for theatre awards in Cape Town

Choir: Crystal Children’s Choir first South Afric...

Review: Andrew Buckland’s A Fools Guide to Living...

Stage: The Curious Case of Katherine Sinclair, new juke...

Stage: A bold new production of The Pirates of Penzance...

Review: Rise 76 The Story of June 16th, beautifully sta...

Review: The Killing of a Union Leader, creepy, twisted,...

Stage: Chicken, And. Thrilling new satire debuts in Cap...

Interview: A Gentleman’s Guide to Love and Murder, Bare...

Choir concerts: Morgan State University Choir, SA tour,...

Music: St Petersburg String Quartet Embarks on first SA...

Interview: Magician Sinalo Mtwana aka Khalo Magic, I ca...

Stage: Paternoster’s first MayGay Weekend, 2026

Review: Songs for a New World, glorious songs, beautifu...

Review: Transcendent dance theatre Mamela Nyamza’a Hatc...

Musical theatre: Annie Jr, Cape Town, 2026, staged by t...

Review: Your Perfect Life 2026, deepened and become mor...

Stage: Hit musical comedy, A Gentleman’s Guide to Love ...

Interview: Staging Songs for a New World, BBATA, Cape T...

Arts: Afrofuture In Motion, leaves lasting impact acros...

Review: Rocky Horror Show, South Africa 2026, astoundin...

Review: Aaron Posner’s Stupid F Bird, effing fabu...

Review: Emma Amber’s You Should Go In, engrossing, hard...

Magic: Over 50 young magicians take the stage, Makin’ M...

Review: Talia Kodesh Actress, masterclass, beautifully ...

Review: Meeting Murphy, mesmerising psychological thril...

Stage: Songs for a New World, presented by The Byron Bu...

Stage: How Now Brown Cow Winter season 2026, two new pr...

In conversation: Dr Hildegardt Raubenheimer aka Dr Hill...

Interview: In conversation, Reagan Clay, South African ...

Stage: Milnerton Playhouse presents Vaslav, starring Go...

Review: Whimsical and fun Children’s Concert at Kirsten...

Stage: Western Cape tour for funny, poignant award winn...

Review: The Royal Countess Zingara, sublime experience ...

Interview: Gavin Werner in conversation, Meeting Murphy...

Review: Hello, this is Johnny Cash, Sin and Salvation i...

Comedy news: AfriSnaaks brings unapologetically Afrikaa...

Stage: Winners announced, Baxter Zabalaza Theatre Festi...

Interview: In conversation with Janet Pillai, South Afr...

Review: Amaxelegu, funny, entertaining, sexy, perceptiv...

Impressions: Being jolted awake at the Baxter Zabalaza ...

Review: David Nixon’s Dracula, alluring, erotic fantasy...

Stage: The Killing of a Union Leader, Louis Viljoen’s n...

Stage: You Should Go In, forgiveness and the complicate...

Book review: Haram, by Zubayr Charles, intriguing, wist...

Stage: Western Cape premiere of Naledi award winning mu...

Review: Key Change, beautiful show by the incomparable ...

Stage: Qondiswa James’ edgy new play about bedroom dyna...

Stage: Exciting season of two plays by Gavin Werner, Ca...

Stage: Die Koelkamers Theatre 5th year Anniversary Cele...

Performance: My Body My Space Festival 2026 celebrates ...

Stage: Four new plays for little ones at Magnet Family ...

Review: An Iliad, riveting with the superlative Alan Co...

Review: Tankiso Mamabolo, Don’t Believe A Word I Say, e...

Review: Cape Ballet Africa’s extraordinary production o...

Stage: Godfrey Johnson, with a Little Help From My Frie...

Stage: Baxter Zabalaza Theatre Festival 2026 celebrates...

Interview: Rugby, golf, cooking, The Complete Works of ...

Review: The Lady Aoi by Yukio Mishima, dark, twisted ps...

Stage: College of Magic Children’s Magic Festival, retu...

Insight: Listen at the 2026 Investec Cape Town Art Fair

Review: Gregory Maqoma’s Genesis, The Beginning and the...

Review: And the Girls in their Sunday Dresses, intrigui...

Review: ‘S Wonderful, Cape Town Opera’s Ger...

Interview: Pieces of Me, Bo Petersen in conversation

Insight: From Hanover Street, emotional, moving, poigna...

Review: Sensational Ndlovu Youth Choir in Cape Town, at...

Review: Electrifying concert by Charl du Plessis Trio a...

Stage: Music, Memory and Community, Golden Oldies Conce...

Review: Thrilling and utterly mesmerising Twelfth Night...

Stage: Pieces of Me, award winning solo theatre returns...

Stage: A riotous romp through all 37 of Shakespeare’s p...

Books: Cape Town launch of Haram, debut novel by playwr...

Review: Alan Committie, AV-A-LAUGH-TA, brilliant

Interview: Twelfth Night at Maynardville 2026, a comedy...

Review: Sublimely beautiful, immersive Giselle at Mayna...

Review: The rousing songs of Freshlyground at Kirstenbo...

Review: The Opera Singer, poignant and moving portrait ...

Stage: From Hanover Street, a Tribute to Memory, Music ...

Magic: College of Magic Free Open Days accompany launch...

Stage: Milnerton Players present Ayn Rand’s Night of Ja...

Review: Shades of Blue, sublime opening Maynardville 20...

Interview: Designing Cape Ballet Africa’s Nutcrac...

Stage: In Full Swing and all that jazz at Maynardville’...

Stage: STAND Foundation fundraiser, Breath and Hammer A...

Review: Touché, innovative and powerful fusion of impro...

Stage: Kirstenbosch Summer Sunset Concerts 2025/2026

Review: Rouge, at the Kalk Bay Theatre, slick, acrobati...

Review: Princess and the Pea, fairytale with a biting t...

Review: Mad, bizarre, Gerald Charles’ brilliant Alice i...

Dance: Cape Ballet Africa’s The Nutcracker at Artscape ...

Community: The KKA Klopse Voorsmakie kicks off 2026 min...

Review: Stunning, alluring, Cats, the musical, South Af...

Dance call: Emerging choreographers invited to apply fo...

Review: Let’s dance together 123 As One, A Japanese SA ...

Stage: Sarajevo, the play, theatre remembers what histo...

Review: Live Art Weekend Soft Rebellion, beautiful, sti...

Review: Let the sunshine in, Nik Rabinowitz, Geriatric ...

Review: Colleen The Musical, stunning, magic box of sur...

Review: Off the Record, captivating launch of Leah Mari...

Review: Hearty and gorgeous tasting menu of Broadway mu...

Interview: Princess and The Pea, blending fairytale whi...

Insight: Miracles are just changes, the urgent call of ...

Stage: Universe on Stage presents Hidden Giants in Cape...

Interview: jacki job in conversation about 1 2 3 As One...

Review: Magnet Theatre’s Animal Farm 2025, urgent, dark...

Interview: Carin Bester in Conversation, Soft Rebellion...

Community: Calling all vendors, join the Baruch Communi...

Tribute: Celebrating Bernhard Gueller for 30 years of m...

Theatre interview: Hidden Current, gathering stories a ...

Stage: Innovative collaboration, Butoh performances cre...

Review: Maina Gielgud’s, Giselle, danced by CBA, beauti...

Performance: Soft Rebellion at Live Art Weekend, Masamb...

Review: Far Gone, harrowing, immersive and enchanting

Stage: Maynardville Open-Air Theatre, Cape Town celebra...

Stage: Freehold Theatre Lab’s Hidden Current, Cap...

Interview: Bringing the story home, John Rwothomack’s F...

Review: The luscious Vulgarians, juicy, fun and enterta...

Stage: Spice up the festive season with Masque’s delici...

Food: Cape Town chef, Jill Van As, brings Kitchen Table...

Review: Stirred not Shaken, entertaining and wry, tale,...

Stage: The Call, a bold new queer African musical, cele...

Interview: Off the Record with Leah Mari

Review: The One Who Stays, testimony and remembrance

Interview: Glorious vocals, food, wine, whiskey and Fre...

Review: Glittering escapism, joy and hilarity, Opera UC...

Review: The Royal Countess Zingara, La Dolce Royal, div...

Review: Ms Bhaved, in the Time Out Zone aka the Naughty...

Review: David Kramer’s Orpheus McAdoo exhilarating lega...

Stage: Cast, international guest artist for Cape Ballet...

Stage: Mr and Miss Sovereign Western Cape 2025 celebrat...

Stage: Stuart Taylor’s award winning Odd Man Out, CPT a...

Stage: Ms B haved, hilarious, incisive new comedy from ...

Review: Exhilarating day in Darling at Voorkamerfest 20...

Review: Sublime Coppelia by Cape Town City Ballet

Review: Moffie, monumental theatre, achingly exquisite

Interview: Alan Committie talks about playing the jaile...

Review: Holding space in Circle Song with Ashley Dowds

Review: Wolf Biscuit, wacky and surreal, absurdist susp...

Review: The Tramp, inspired by Charlie Chaplin, Tour de...

Review: Down the Rabbit Hole at the Masque, CT, nuanced...

Stage: Die Fledermaus, Opera UCT, a toast to glamour, l...

Stage: Drag race superstar Latrice Royale returns to SA...

Review: Emergency Workshop, let us play and breathe thr...

Tribute: Daniel Anderson, The Tramp, legacy performance...

Stage: Magicana Junior Magic Championships, Cape Town 2...

Community: National Nutrition Week, investing in young ...

Review: 2025 Dance Intersect, exceptional and beautiful...

Stage: How Now Brown Cow presents My Name Is Lucy Barto...

Community: SA’s largest World Animal Day gathering, Oct...

Review: The Routes of Sound 2025, sublime journey of mu...

Review: Chicago the musical SA 2025, breathtaking razzl...

Lifestyle: Look at Me Now 2025, celebration of growth, ...

Interview: Anderson Carvalho talks about ACDC Dance Int...

Fun: Stan Mars presents Smooth R&B Sip ’n Paint, Ca...

Stage: Wolf Biscuit, written and directed by Pierre Mal...

Book review: Juliet Prowse, Born to Dance, charming and...

Community: The SA Guide Dogs Association launches Wear ...

Community: Thrive By Five Index 2024, SA youngest child...

Stage: The Masque’s Youth Theatre Club presents Down th...

Interview: ‘n Pandok se Liefde, by Lauren Snyders, a ca...

Stage: The Tramp, acclaimed production in Cape Town 202...

Stage: The Long Way Home, original SA jukebox musical

Community: World Koesister Day 2025, from cultural trad...

Stage: Cape Town’s brightest young magicians to compete...

Stage: Celebration of the 15th Baxter Zabalaza Theatre ...

Review: Interrogating silence in The Grab After A Doll’...

Review: Outstanding Little Shop of Horrors South Africa...

Dance: Cape Town Welcomes ACDC Dance Intersect 2025

Performance: The Routes of Sound 2025, intimate musical...

Lifestyle: Meditation master, Yongey Mingyur Rinpoche S...

Review: Truth and reality viscerally conjured up in To ...

Review: Feedback is deliciously cheesy, a biting satiri...

Review: So much fun, Melomania takes Quiz Night to anot...

Stage: Melomania, live music comedy quiz at Kalk Bay Th...

Review: Joyful, hilarious and utterly captivating, The ...

Review: The Glass Menagerie South Africa, masterful rei...

Festival news: Three day celebration at Open Book Festi...

Interview: Unique dialogue between language, memory and...

Festival news: Klein Karoo Klassique 2025, a choral jou...

Review: this bra’s a pyscho, rousing new play, brave, c...

Interview: Jill van As, the kitchen where hearts connec...

Review: The Mikado in Concert, gorgeous production, pre...

Stage: Mike van Graan’s To Life, With Love, featuring J...

Review: Becoming Benno with Ben Vos, funny and wistful ...

Interview: Zubayr Charles in conversation, bashing down...

Lifestyle: Launch of Gauteng’s first internationa...

Interview: James Stoffberg, finding the balance between...

Interview: SA creative Georgia Neves is loving working ...

Interview: Staging Little Shop of Horrors, Cape Town 20...

Review: Petticoat Princess intense and shattering dance...

Review: Unruly, engaging with our land and rights of al...

Stage: Award winning The Glass Menagerie and Speelgoed ...

Review: I Can Buy Myself Flowers, upbeat, wise and char...

Review: Impressive performance by Bizo Maxegwana in SA ...

Stage: Who Done Did It, comedic murder mystery set with...

Review: Everybody Talking About Jamie Cape Town 2025, f...

Stage: Hit Broadway musical Little Shop of Horrors come...

Stage: The Mikado In Concert set to delight Cape Town a...

Review: Clever, sharp delicious, Love Me Feed Me, the m...

Review: Gripping theatre, Jan Glazewski’s Blood and Sil...

Interview: Staging Aladdin at Canal Walk Theatre 2025

Review: Fun and entertaining Jack and Beanstalk panto

Stage: Thrilling debut of this bra’s a psycho, written ...

Community news: Do More Foundation launches Mandela Day...

Review: An Apprenticeship with Sorrow, lyrical, beautif...

Live music: Star studded music showcase in The Mother C...

Review: Gorgeous Aladdin on in Cape Town, Canal Walk Th...

Interview: Staging Everybody’s Talking About Jamie in S...

Stage: Unruly returns by popular demand for full length...

Review: Inspired and thrilling reimagining of Arthur Sc...

Review: Take Me to Town by Thabiso T Rammala is excepti...

Stage: Aladdin 2025 shines as Canal Walk celebrates 23 ...

Review: Cape Town Funny Festival 2025, delish mix of co...

Review: Majika, theatrically, magically alluring and th...

Stage: Waterfront Theatre School presents SA premiere o...

Review: Rescue Remedy is tender and wistful, poignant w...

Music: VScript drops How You Move, single featuring Luk...

Meditation: First full SA tour for renowned meditation ...

Review: Beggared in SA, heart warming and moving play

Stage: Autumn 2025 highlights at The Drama Factory

Review: Joseph and The Technicolor Dreamcoat South Afri...

Stage: Premiere of two new solo shows at Baxter Masambe...

Review: Find your inner child at Museum of Illusions Ca...

Stage: Assist Spark in the Dark with production costs f...

Review: A triumph, Shakespeare’s Julius Caesar, brillia...

Review: Bitter Winter, beautiful and poignant play, dis...

Review: Pure gees at University of Michigan Symphony Or...

Performance: Vulvasphere Woman Beyond the Surface, mult...

Review: Kamogelo Mhlantla’s Solitude, uplifting, ...

Review: Minimalist epic staging of a wow Aida by Cape T...

Community: Historic 10 billion Rand investment in ECD r...

Stage: Kamogelo Mhlantla’s Solitude, explores the duali...

TV: TopGear SA, Star in a Reasonably Priced Car launche...

Community: SA’s Kay Mason Foundation raises R12.5 milli...

Review: Die Kwiksilwers, a gem of a film

Interview: Time and gender are fluid, mutable in Shakes...

Interview: Getting real with Viv Vermaak, a lateral shi...

Stage: Shakespeare’s Julius Caesar in bold new producti...

Community theatre: Join The Masque at Volunteer Open Da...

Interview: Sjaka Septembir infinitely curious, explorin...

Stage: Internationally acclaimed stage adaptation of Mo...

Stage: Dolliwarie, a theatrical fever dream of absurd b...

Dance: Dance Intersect 2025, cross cultural dance colla...

Stage: Courage to be Average, Performative Philosophy t...

Review: Emotional and visceral gravitas in thrilling ge...

Live music: Simphiwe Dana celebrates 20 years in song, ...

Stage: Paul Slabolepszy’s acclaimed play, Bitter Winter...

Review: Die Uitweg embracing the unpredictable bouncing...

Review: Samantha Carlise’s Messy, a gem of a play

Review: Please, don’t call me moffie, brave and importa...

Education: eta College Cape Town shaping SA’s top sport...

Interview: Majika, afro futurist and Black Panther with...

Interview: Samantha Carlisle talks about getting Messy ...

Interview: Yuri Behari-Leak talks about his gender swap...

Review: Harnessing the Piña Colada of relationships in ...

Musical theatre: Exuberant Disney’s Aladdin Jr, staged ...

Review: A Doll’s House Part 2, mesmerising deep d...

Review: Mrs Mitchell Comes to Town is a mother of a pla...

Stage: Debut of Messy, semi autobiographical solo show ...

Review: Glorious weekend at Soli Deo Gloria, Paternoste...

Review: Hallelujah for Messiah with the Philharmonia Ch...

Festival news: Hermanus FynArts 2025, June 6 to 16, cel...

Books: South African arts icon, Kurt Egelhof, launches ...

Interview: Staging Die Uitweg, adapted from Kafka’s Blu...

Stage: The Masque presents Shakespeare’s Hamlet in a fr...

Stage: Die Uitweg, directed by Sjaka Septembir, starrin...

Stage: R and J Love Beyond the Stars, musical presented...

Review: Interesting, funny and very entertaining Darwin...

Comedy: Celebrated SA comedian Kurt Schoonraad at the B...

Magic: MAJIKA, Africa’s largest illusion show, magic, w...

Interview: Please, don’t call me moffie, a gaze on the ...

Review: Candice Bernstein’s Earthside, tender, poignant...

Insight: Simmy and Ami Faku, sensational wrap concert, ...

Dance: Hip Hop Encounters, April 5, 2025, thrilling dan...

Review: Agatha Christie’s Black Coffee, South Afr...

Review: Pathos and mirth of Kafka’s Ape, physical...

Stage: Four new plays to be presented at 2025 Masque’s ...

Stage: Please, don’t call me moffie by Zubayr Cha...

Review: Cape Ballet Africa’s Breathwords is breathtakin...

Interview: Cindy Jumat talks about her journey and her ...

Theatre news: Winners of 60th Fleur du Cap Theatre Awar...

Review: SboNdaba Dance Generations, stunning showcase c...

Insight: Playful and poignant de Constructing Gender at...

Theatre news: 60th Fleur du Cap Theatre Awards special ...

Review: The Salt Lesson, intriguing and complex

Classical music: Stellar lineup of soloists for Univers...

Magic: Embark on a wild jungle adventure at the 2025 Ch...

Interview: Sbuja aka Sibuyiselo Dywili, in conversation...

Dance: Hip Hop Encounters embracing vibrant history of ...

Community: Budget 2025, the first step towards a Childr...

Concert news: Watershed celebrates 25 years with a spec...

Review: Psycho thriller tripping with Bluebeard’s Castl...

Interview: de constructing gender at Live Art, March 20...

Dance: Generations, exciting showcase of emerging chore...

Review: Celebrating memories at Songbirds with Mynie Gr...

Review: Faustus in Africa! theatrical magic, a triumph

Review: Beautiful offering, Grieve, that is how you sur...

Review: Thrill Me, gripping psychological thriller musi...

Performance: de Constructing Gender at Live Art Weekend...

Review: Theatre of the absurd in intriguing Lemons play...

Jazz: Magic lineup for Cape Town Jazz Greats Home Comin...

Review: Being normal is being happy with your life, a t...

Stage: Groundbreaking Baxter Zabalaza Theatre Festival ...

Review: Evocatively spinning and transcending family, d...

Review: Sensational Sondheim at Maynardville Open Air F...

Music: The 4th Marimba Xplosion Festival, March 22, 202...

Review: Playing at vibrant Investec Cape Town Art Fair ...

Stage: Cape Ballet Africa celebrates its first birthday...

Review: South African production Dear Evan Hansen beaut...

Interview: Mr and Mrs Normal, the turbo charged Aaron M...

Review: Exhilarating concert, The Golden Oldies, Kirste...

Review REMO: A True Story, brave, raw and immediate the...

Art: Embrace the Art of PLAY at the 12th Investec Cape ...

Concert news: Stef Bos & Friends to celebrate a 35 ...

Theatre news: Nominees announced for the 60th Fleur du ...

Stage: Stuart Taylor’s new show, Odd Man Out, debuts at...

Stage: South African production of Sam Steiner’s acclai...

Review: Despicable Hehe, theatrical masterclass in sati...

Review: An Unromantic Comedy, wonderful escapism, fun r...

Concert news: The Golden Oldies to Serenade Kirstenbosc...

Review: The Tempest at Maynardville 2025, enchanting, e...

Stage: Aaron McIlroy and Lisa Bobbert in award winning ...

Interview: Grace Storm and Thandiwe Nqanda talk about c...

Review: Visceral lived experience of The Cry of Winnie ...

Review: To Life with Love, beautifully rendered mediati...

Interview: Mynie Grové and Kim Kallie, Songbirds, music...

Stage: Dazzling evening at Artscape to invest in the fu...

Community: Section 1 champions crowned at Kaapse Klopse...

Interview: The Tempest at Maynardville 2025, turning pe...

Dance: Cape Ballet Africa celebrates first birthday and...

Stage: The Young Professionals 2025, showcasing the tal...

Dance: Open call for choreographers for Dance Intersect...

Stage: The staging of REMO, by Rameez Cassiem, A Journe...

Insight: Maynardville 2025 opens with beautiful concert...

Concert news: Hermanus Old Harbour Sunset Concert 2025 ...

Review: Unplugging from the world at St George’s Unplug...

Review: Review: John Cartwright’s Old White Man an extr...

The Cape of Arts: 10 reasons to visit Cape Town this Fe...

Concert news: Bok van Blerk and Elandré bring Afrikaans...

Review: The Sun is a Star and We Know What It’s Made Of...

Stage: Die Koelkamers in Paternoster announces bumper p...

Stage: Despicable Hehe with Conrad Koch and Chester Mis...

Magic: Discover the Art of Magic with Enchanting Open D...

Stage: Grieve, that is how you survive, choreo-poem nav...

In the Limelight: The true value of buying a ticket for...

Interview: Claire Johnston talks about Mango Groove’s M...

Concerts: James Grace opening Unplugged, new lunch conc...

Review: Joyous concert, Freshlyground with new lead sin...

Stage: The Johnson Jukebox by Godfrey Johnson, fun show...

Review: Thrilling acts, Unthinkable is sheer entertainm...

Review: Sold out Goldfish at Kirstenbosch Summer Sunset...

Review: The Addams Family the musical South Africa, cra...

Concert news: Will Linley and Lloyiso at Kirstenbosch N...

Dance news: ACDC, Anderson Carvalho Dance & Choreog...

Review: Harmony and Understanding at Unity Concert 2024...

Review: Spectacular My Fair Lady South Africa 2024/2025

Review: Lyrical, wistful and celebratory Santa’s Sleigh...

Concert news: Unity at Kirstenbosch, summer celebration...

Stage: Step into the magical world of puppetry with San...

Review: Red Riding Hood, fun, imaginative, quirky, inno...

Review: Emotionally charged storytelling comedy, Philli...

Concert news: Full lineup Kirstenbosch Summer Sunset Co...

Festival news: The 2025 KKNK, curated and packaged to i...

Review: Beautiful, emotionally charged writing and perf...

Review: Immersive Uninhabitable Spaces at Live Art

Review: JOLTYD – Through the Ages of Music, dynamic cas...

Review: Magic Cradle to the Cape Concert led by Zolani ...

Music festival news: Unity On The Square returns, Decem...

Lifestyle review: A zippy buzz with non alcoholic Okush...

Stage: Edinburgh Fringe hit Spin Cycles comes home for ...

Stage: Zolani Mahola leads the Cradle to the Cape Conce...

Review: Invigorating solo theatre at Magnet Summer Seas...

Visual art: Cirkel, FynArts Gallery’s last exhibition f...

Review: Magnet Theatre’s beautiful and meditative...

Review: I Think I Smell Smoke ignites the stage at Spar...

Lifestyle: Derek Lubner talks about his sober curious j...

Performance: Spier’s A Summer Dream, magical spec...

Review: LAMTA’s Part of Your World is a tonic of a sho...

Stage: Live a little, give a lot with ImproGuise year e...

Interview: Phillip Dikotla, in my comedy, laughter symb...

Interview: The Masque’s Red Riding Hood, dipping a clas...

Interview: Jenna Fish talks about Unpacking Mr Becker, ...

Interview: Carin Bester talks about Live Art Weekend UN...

Review: Dalin Oliver charms the audience with 90 Day Co...

Stage: Big Comedy Live Presents Phillip Dikotla LIVE (H...

Activism: Cape Town hosts historic ILGA World Conferenc...

Review: Intriguing dark and disturbing production, Oper...

Review: Jazz on the Green in Cape Town, like being at a...

Review: A Doll’s Life Confessions of a Quarter Life Cri...

Stage: Fun for all ages at Magnet Theatre’s Summer Seas...

Review: Magnet Theatre’s Manje! Manje, vivid, exc...

Theatre: It’s Family! It’s Festive! Celebrate the festi...

Dance: Cape Ballet Africa announces prestigious new hom...

Stage: Opera UCT stages Britten’s The Turn of the Screw...

Festival news: Event postponement, Rands Holidae Festiv...

Activism: Decriminalisation advocates, intersex and tra...

Performance: Live Art Weekend UNinhabitable SPACES, Dec...

Stage: Igniting Cape Town’s festive season with JOLTYD ...

Community: Join the Million Meals Campaign to feed vuln...

Stage: Fairytale family entertainment in Cape Town, The...

Stage: Maynardville Outdoor Amphitheatre 2025 full prog...

Lifestyle: Beyond cordial? Let’s get curious, OKUSHAL r...

Stage: Mr and Miss Sovereign Western Cape 2024, Novembe...

Music: Experience the joy of live music in the heart of...

Stage: A Doll’s Life, Confessions of a Quarter Li...

Review: David Kramer’s musical Orpheus McAdoo,ground br...

Stage: Pre-Christmas season at Theatre Arts, Cape Town

Review: Stirring, magnetic performance by Shannon Esra ...

Food: Edgy fine-dining Terrarium, by Chef Chris Erasmus...

Review: The Magic Box, big fun show, sheer entertainmen...

Review: Nkoli: The Vogue-Opera is fierce and fabulous h...

Review: Celebrity Skin at Mavericks is a fun show in a ...

Insight: Anderson Carvalho Dance & Choreography’s D...

Review: Dynamic physical performance in Return of the A...

Festival news: Rands Holidae Festival unveils first wav...

Community: World Food Day, October, 16, 2024 with the D...

Stage: Award-winning Magnet Theatre presents mAnJE ! Ma...

Review: Isidlamlilo/The Fire Eater is beautiful theatre...

Insight: Speel-speel, wistful exhibition of toys and ch...

Review: Thank you for your Service, brilliant script an...

Stage: Cape Town Opera presenting David Kramer’s new mu...

Review: Cape Ballet Africa’s sublime SALT, inaugural se...

Festivals: Play is the theme of Toyota Stellenbosch Woo...

Review: 32 Lavender Close at Toyota Stellenbosch Woordf...

Business: Pranary hosting Elevate Your Enterprise Summi...

Review: Julie-Anne McDowell glows as a feisty, spunky a...

Review: Smokie South Africa Tour 2024 delivers with all...

Stage: Celebrity Skin, A Sensational Dance, Theatre and...

Opera: Cape Town Opera presents Horizons at 2024 Toyota...

Stage: Fresh from European tour, SA comedian Dalin Oliv...

Review: Legendary at Kalk Bay Theatre, high energy and ...

Creativity: The Ukukhanya Arts Project, illuminating im...

Review: Battlefield and playground of possibilities in ...

Dance: Food Lover’s Market Celebrates 20 Years of...

Review: Metamorphoses in Cape Town is stirringly beauti...

Community: Outside the Bowl Africa Launches Million Mea...

Community: Cape Minstrels troupe Baruch Entertainers, h...

Interview: Staging My Name is Lucy Barton in South Afri...

Review: Trial and Error is a stylish courtroom drama an...

Insight: Exhilarating Dalinda, staged by Opera UCT, a t...

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Destinations: A Blooming Perfect Way To View The Spring...

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Classical music: Celebrated conductor, Benjamin Zander,...

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Music festival: 3rd annual Klassieke Koelkamers in Pate...

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Interview: Who is Anderson Carvalho? The Brazilian-Dutc...

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Interview: Empatheatre, South Africa’s theatre co...

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Circus celebration: Zip Zap celebrates World Circus Day...

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Dance announcement: Dance Intersect 2023- exciting danc...

Insight: Devil Song- new South African cabaret

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Water access: QVDB Foundation and Cassper Nyovest, givi...

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Announcement: Winners of 58th Fleur du Cap Theatre Awar...

Concert announcement: Love Life and Happiness,Emo Adams...

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Insight: Fleur du Cap Theatre Awards- is your productio...

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Review/interview: Epic Hamlet –opulent and operatic- my...

Preview: Our Oceans Our Future – première season, prese...

Review: Ziyana- exquisitely manifested musical drama, a...

Preview: Cape Town Jewish Literary Festival 2023 with s...

Interview: Carlo Daniels, No Complaints, dynamic, ingen...

Preview: Gratitude- solo exhibition of oil paintings by...

Interview: Patisserie Femme – satirical play – co...

Theatre news: Announcement of nominees for 58th Fleur d...

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Interview: New South African satirical cabaret, Devil S...

Review: Masterful Sandra Prinsloo –intoxicating mélange...

In the Limelight: Nwabisa Plaatjie When We Awake, retur...

Film news: Thembi Mtshali-Jones celebrates the 35th ann...

Preview: Cape Town City Ballet at Maynardville Open-Air...

Review: Live Art Network Africa 2023 – intensely ...

In the Limelight: Cape Town Opera’s National Schools To...

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Interview: Aldo Brincat The Moon Looks Delicious from H...

Music news: Keanu Harker, releases Valentine’s si...

Interview: Renowned trumpeter Mandla Mlangeni tours Cap...

Preview: Spier Harvest of the Arts Festival 2023, cultu...

Review: Excellent play, Hansard, excellent production, ...

Review: A Midsummer Night’s Dream, at 2023 Maynardville...

Preview: Vincent – His Quest to Love and be Loved, at T...

Review: Oedipus at Colonus #aftersophocles is vividly i...

Preview: Fagrie Isaacs hosting Ultimate Love Song Colle...

Applications: The Drama Factory and F Creations Women’s...

Interview: Tangibly reconnecting through the shared spa...

Review: LAMTA’s Come Together: The Beatles Covered/Unco...

Preview: An evening of love and music – the Masqu...

Interview: Uncovering the story of the Beatles for LAMT...

Preview: Terry Fortune’s Golden Oldies at Kirstenbosch ...

Preview: Exciting programme for Live Art Network Africa...

Review: Cape Town Opera triumph at Kirstenbosch Summer ...

Interview: Loathsomely lovable Ugly Sisters in Cape Tow...

Preview: The Young Professionals at Theatre Arts, Cape ...

Preview: LAMTA’S acclaimed, The Beatles Covered/Uncover...

Preview: Shakespeare, ballet, opera and music at 2023 M...

Preview: Cape Town Opera performs at Kirstenbosch Summe...

Announcement: International guest artists- Vadim Muntag...

Preview: Renowned trumpeter, Fezile ‘Feya’ Faku gig in ...

Review: Sizzling concert by Goldfish at Kirstenbosch Su...

Preview: Aldo Brincat’s The Moon Looks Delicious From H...

Preview: Athlone Stadium ready for Klopse 2023 competit...

Preview: Gustavo Romero, Schubert Sonata Series, Cape T...

Review: Glorious Kirstenbosch Summer Concerts 2022/23 –...

Review: Alan Committie’s Live and Let Laugh is 90 minut...

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Review: Theodore Jantjies and Maurice Paige deliver dyn...

Community: The Quinton Van Der Burgh Foundation continu...

Review: Innovative Sleeping Beauty with gender bending ...

Review: Fabulous! Aunty Merle – Things Get Real- ...

Interview: Designing Sleeping Beauty with gender fluid ...

Destinations: Stargazing at Cederberg Observatory (Ster...

Interview: Star+Crossed – South African musical –...

Interview: Dr Siphiwo Mahala in conversation about his ...

Preview: The Secret Garden – magical stage adapta...

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Preview: World première of new musical, Star+Crossed, i...

Interview: Exciting children’s company of dancers to ac...

Preview: Dreams, friendship, culture, humanity and love...

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Happiness interview: Marlisa Doubell is basking in the ...

Preview: LAMTA’s Being Steve – tribute to three B...

Review: The loneliness of freedom rings out loudly in 2...

Interview: South African magician/mentalist Brendon Pee...

In the Limelight: Winner announced for the 2022 Distell...

Interview: At All Costs, Peter Terry’s play, men ...

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Interview: Lorin Sookool at Constellations 2022 with ‘o...

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Invitation: Institute for Creative Arts ICA Podcast – S...

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Art exhibition: Lewatle: Spirit of the Ocean, solo exhi...

Preview: Baroque with a Twist- opens the Cape Town Baro...

Review: Molupi Lepedi’s Back to Ashes is an intricately...

Insight: The perils of booking through secondary ticket...

Review: Daniel Anderson captivates in the award winning...

Preview: Kennedy Center Opera House Orchestra Quintet -...

Interview: Umgidi – celebrating – Nduduzo M...

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Preview: Belgian conductor Rik Ghesquière, will make hi...

Craft Gin: Two Gingers Gin launches La Primavera, Sprin...

In the Limelight: Art meets science -Dr Reza Mia opens ...

Review: Eight men on stage at Kalk Bay Theatre, creatin...

Insight: Cape Town Opera’s Youth Development and Educat...

Review: Seeing the Invisible-AR exhibition is an extrao...

Stage review: The Shell Singer – the caterwaul of the v...

Review: Fordsburg’s Finest speaks volumes about home, i...

Destinations: Groot Constantia Heritage Month 2022- exp...

Preview: Smokie- Live in South Africa – summer 20...

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Destinations: Bliss – sheer comfort and mountain views ...

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Cinema: Two feature documentaries, Solo Studios Intimat...

Reflections: Optimism peeks through in Home, Hope and H...

Review: Cape Town City Ballet’s Romeo & Juli...

Preview: Saxy Vibes 4.0, by renowned Cape Town musician...

Insight: Exciting Riebeek Valley’s Solo Studios Intimat...

Preview: Brilliant pianist Kate Liu will give one recit...

Interview: Tackling what-if life questions, Not Falling...

Preview: Cape Town Philharmonic Orchestra’s Spring Symp...

Interview: Celebrating live performance at new Women’s ...

Interview/review: Popping stereotypes, memory in enthra...

Insight: Leftfoot Dance– two gripping online dance piec...

Interview: Birthed out of personal loss and pain, The S...

In the Limelight: Entrepreneur, Janice Chetty, embracin...

Classical music Youth Extravaganza 2022: SA Conductors’...

Preview: Eco-family drama Agulhasvlakte on at Theatre A...

Destinations: Groot Constantia harnesses people-power t...

Preview: Inaugural festival at The Drama Factory, Augus...

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Insight: Harnessing the rainbow lining of online–as a v...

Theatre news: Acclaimed production of Shirley Valentine...

Cinema: TheCapeRobyn watchlist for 2022 Durban Internat...

Preview: Fabulous Femme Fantasties concert, Cape Town, ...

Announcement: Internationally acclaimed conductor Jonat...

Review: The CapeRobyn watchlist -exciting diverse offer...

Preview: Award-winning The Unlikely Secret Agent return...

Preview: Durban International Film Festival 2022, live ...

Preview: International Guest Artists announced for Cape...

Destinations: Everything was illuminated at NAF 2022 – ...

Destinations: Groot Constantia Estate celebrates its 33...

Destinations: Kirstenbosch National Botanical Garden Wi...

Preview: CPO’S Community Spectacular Gala – epic concer...

Review: Sophie Joans’ Île is a spark in the dark ...

In the Limelight: 2022 Standard Bank Ovation Awards, NA...

Review: Delela –deliciously cheeky play with twisty bit...

Preview: FOM Benefit Gala – presented by Cape Town Phil...

Review: James Webb – Nothing here does not hear y...

Review: Tea and sweeteners at Gavin Krastin’s 12 ...

Review: Janni Younge’s Hamlet-an extraordinarily beauti...

Review: We Regret to Inform You at NAF 2022- transcendi...

Review: My Weight and Why I Carry It at NAF2022- poigna...

Review: Connecting within the chaos of the abrupt reboo...

Review: And Not A Word Was Spoken- taps intensely into...

Preview: The Jackal and the Wolf- exciting family theat...

Review: Brecht’s The Good Soul of Szechuan in 2022- joy...

Preview: Gavin Krastin -interventions and labours ̵...

Theatre news: 2Sugars has rebranded, Betrayal is comin...

Must watch: James Stoffberg stars in How to Hold the Wo...

Interview: And Not A Word Was Spoken: What would a rela...

Review: Women on Top at Kalk Bay Theatre will put you i...

Preview: South African premiere run of internationally ...

Interview: Extending our realities in Darkroom Contempo...

Preview: And Not A Word Was Spoken – dance film e...

Preview: Zimbini Makwetu in concert: retrospective of Z...

Interview: Pushing through to hope in Gavin Werner’s co...

Interview: A cheeky poke at do-gooders, behaving badly...

Preview: Chasing the Dream, The Great Gatsby on stage, ...

Preview: The Good Soul of Szechuan by Bertolt Brecht, p...

Preview: Nozze di Figaro – inspired by the romant...

Travel alert: NAF it – get to National Arts Festival (N...

Preview: LAMTA’s Come Together/The Beatles Covered /Unc...

Preview: Searching for connection within chaos with Dar...

Preview: Dazzling Duet Gala Concert makes a welcome ret...

Review: Taut ties that connect and unite us in engrossi...

Tribute: The electrifying Sipho Hotstix Mabuse at 70 to...

In the Limelight: Pioneering theatre for all at the Sha...

Interview: The village vibe of Greyton Genadendal Class...

Preview: 2022 Great Texts/Big Questions: Love as ethic;...

Preview/interview: James Grace -Music from Spain- Cape ...

In the Limelight: Seeking gaps – in the smallest spaces...

Preview: The College of Magic’s spectacular family magi...

Preview: When I Left the Room- research dance performan...

Musical theatre review: Outstanding production of Hairs...

Preview: Your Song – The Music of Elton John – pr...

Theatre review: Daniel Newton delivers a penetratingly ...

Preview: Cape Town Philharmonic Orchestra’s Winter Symp...

Preview: Chester Missing and Conrad Koch on 2022 tour w...

Preview: Bumper edition for the 12th Shakespeare School...

Classical music alert: official launch concert of the C...

Hairspray: The Musical- collab by HS Jan van Riebeeck, ...

Preview: The Cape Town Theatre Company’s More to the St...

Good health: Give yourself the gift of wellness: How CB...

Music tour alert: Qadasi & Maqhinga Maskandi Folk ...

Preview: The Shell Singer, raw nerved work, reveals the...

Preview: Mama Mia! A Mother’s Day Special, Cape Town- i...

Live: National Arts Festival- live in Makhanda June 23 ...

Bravo: 57th FDC Theatre Awards- celebration, tribute an...

Preview: Head into autumn 2022, with awesome April line...

In the Limelight: Momeleh, a stirring musical tribute a...

Review: The Last Five Years – zesty award-winning...

Good health: Celebrating the healing power of CBD in Ap...

In the Limelight: Entrepreneur and business strategist,...

Preview: Handel’s Messiah- exciting collab by the Cape ...

Theatre awards: 57th Fleur du Cap Theatre Awards (2022)...

Review: Maina Gielgud’s evocative staging of Giselle fo...

Music festival: Exciting news- Greyton Genadendal Class...

Travel review: Fabulous boutique style Oak Manor Guest...

Books: Open Book Festival returns as an in-person event...

Live music: For The People@Infinity World, showcase of ...

Live event: The 57th Fleur du Cap Theatre Awards ceremo...

Classical music: The CPO Autumn Symphonies at City Hall...

Preview: Award winning musical, The Last Five Years, at...

Business: Cape Town-based start-up and social, BiCstree...

Performance: ICA Live Art Festival (LAF) is on March 19...

Opera: Thrilling launch of Cape Town opera season 2022

On stage: The Dead Tinder Society – exploring the funny...

Preview: Malibongwe Women in Theatre and Performance Fe...

In the Limelight: On time and below budget – Red Cross ...

Opera: Opera Blocks, Opera for babies with Cape Town Op...

Good health: Do you know which CBD carrier is best for ...

Music release: Third Love released by Cape based Afro p...

Art: Thrilling to attend The Investec Cape Town Art Fai...

Concert: The CPO Sunset Concert launches the 10th anniv...

Review/interview: Mesmerising marimba with Magdalena de...

Review: Tennessee Williams’ One Arm – a powerful medita...

Stage: Dance into the month of love with Cape Town City...

On stage: HOW TO DATE LIKE A …GROWNUP – A MUSICAL FOR G...

Stage: Krotoa Eva van de Kaap completes season at the A...

Dance theatre: Locked Doors, Behind Doors – the stage v...

Design: Reimagine the world with Decorex Africa–2022–Ca...

In the Limelight: A Big Welcome to Rally to Read’s Two ...

Art Fair: Cape Town Art Fair is back at the CTICC – Feb...

Interview: Taking Zip Zap’s MOYA from film to stage sho...

On stage: Zip Zap’s MOYA – the stage show –premieres in...

Opera: Mugg & Bean Heroic and Romantic Pieces from...

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Music school: The Music HQ opens in Cape Town